Solid-state memory camcorder firmware update ver. The nice thing about this camera is that it doesnt require overly-expensive media. So whether buying new lenses, or making use of lenses youve already purchased, the FS5 makes it easy. We felt that the ND being linearly adjustable is a great feature and a no-brainer. The built-in microphone. We shot in the picture profile 1 one of the six standard picture profiles on the camera. Once you have several camera models below a certain price point in your line-up you put yourself between a rock and a hard place. 2 x 3-Pin XLR Mic/Line Level (+48 V Phantom Power) Input, Other I/O: 1 x RJ45 LAN, 1 x 2.5 mm Control, 4.38 x 5.07 x 6.79 / 111.3 x 128.7 x 172.4 mm (With Protrusions), How to Use Log Video to Gain More Control Over Your Image. In no real surprise, that the FX6 doesnt have the same locking E-mount from the FS7 M2 and FX9. When you need dynamic range, shooting in log is the way to get it. CFexpress was announced back in early 2019, but so far we have only seen CFexpress Type B cards being utilized. Chris Monlux Videomaker's Multimedia Editor. It features 14 stops of dynamic range, applicable to both raw and XAVC recording as long as S-Log is turned on, for truly filmlike rendering of highlights . The size of the camera body is surprising its smaller than you might think but this version includes in the base package both of the upgrade packs available for the original FS5. Of course not. Unlike conventional optical ND Filters, the electronic ND Filter on the FS5 can be controlled from 1/4 ND to 1/128 ND linearly. The Sony FX6 is very similar in some respects to the competition but different in others. Sony says that the new color science should offer rich mid-range colors, alluring facial tones and a softer tonal look. We agree that the camera has a new look. Sony states that the camera will not overheat in any recording situation. Anybody compalining that they were expecting an FX9 in a smaller body with the same features for less money is living in a dream world. You can see an early look from B&H above. I personally have my doubts about whether they will do either of those things. USB: 1 x Multi/Micro During our tests using the Shogun Inferno, we determined we wanted the expanded recording capabilities more than the external monitor. In a lot of ways, the FX6 is a blend of both the FX9 and the a7S III. If you are an event videographer, news gatherers, documentarian, marketing agency or studio, then this camera is for you. The variable ND can be adjusted to provide between 2 and 7 stops of ND. A CUBE file (*.cube) for a 17-point or 33-point 3D LUT created using RAW Viewer or DaVinci Resolve can be used. The camera captures internally to SD cards. Because the camera needs to operate at a high ISO all the time, applying the ND in more than just a step at a time is very nice. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.*. It has also has two XLR inputs and a hot shoe. Sony has priced the FS5 II very well. One last big improvement over using DLSRs or mirrorless cameras is that all of your controls are at your fingertips and not in-menu. The location offered many beautiful shooting situations. Last is the Blackmagic Design Ursa Mini Pro 4.6K, priced at $6,000. All fine lines are still and look good. The power consumption of the FX6 is approx. solid and well-built. This is big for shooters who need to use muscle memory and shoot by feel instead of flipping through menus. I asked Sony if the dynamic range is reduced when you are using this High Sensitivity mode and I was told that they feel that is is fairly comparable to the normal base ISO of 800. Use the condenser microphone included in the camera kit (side pocket of the bag). If you are primarily shooting video, then items such as built-in electronic variable ND, XLR inputs, SDI In, Timecode In/Out, better cooling, LUTS, and form factor make a big difference. Page 17 Sony FS5 Audio Controls. A magnesium chassis ensures high rigidity with -inch screw holes on the handle, top and bottom of the body to support mounting on a drone, gimbal, or in an underwater housing. This alone makes the FX9 a more appealing proposition for certain shooting scenarios. The FX6 has a lot in common with both the FX9 and a7S III, and given its feature set, it certainly does cross over right into FX9 territory. If you need some of the advantages that an FX9 offers, buy an FX9. The camera is about the size of a grapefruit, and the body only weighs 1.8 pounds. The URSA Mini is also cheaper and does shoot 4K 4.6k in fact but has the drawback of weighing about 5lbs and lacks the ease of use of the FS5. Lets have a look at how the Sony FX6 compares to these other options. New comments cannot be posted and votes cannot be cast. It is also important to note that there is a slight 10% crop of the image when you record UHD 100/120fps. The sensor and the body are the same, but the FS5 II includes the ability to output 4K RAW via the SDI output and to internally capture continuous HD video at up to 120 frames per second. This will allow you to understand what kind of low light performance the camera offers. ALL RIGHTS RESERVED, Safe Zones preset for TikTok, Shorts and Instagram, Chinese Hit SeriesThree-Body Graded with DaVinci ResolveStudio, Ian McDonough on Blackbirds EVS Partnership at NAB 2023. The focus ring was slow to respond and offered very few degrees of rotation, making find focusing difficult. This is a major problem if you want to run the camera on a gimbal and need to remove the top handle. You will also notice that there arent any physical switches on the FX6 for switching between Internal, External, and MI Shoe audio sources. The location of the ND is the same in the FS7; its easy to find and the grip is textured for an easy turn. The viewfinder is OLED and, in times where the LCD fell short, it was nice to have another option. The first camera was the a7S III. Any third party loupe that works with the FX9, or the actual loupe for the FX9, will work with the FX6. Best Mirrorless Camera For Video: Panasonic Lumix S5 II Reviewed! The FX6 can be used as your main camera, a B camera to the FX9, the A camera to a Sony a7S III, and so on. As far as form factor and price are concerned, the closest cameras are arguably the Canon C70, RED KOMODO, and Z CAM E2-F6 Full-Frame 6K Cinema Camera. It didnt perform poorly, but it wasnt mindblowing either. You said the mic is plugged into input 2: On your XLR settings, on Channel 2, select input 2. Sony was also keen to stress that all of the cameras in the Cinema Line have similar color science and that they have all been designed to match. 4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution. The size of the camera made it easy to pack and carry on to our flight. The FS5 II is the camera to go to when you want an easier way to capture video. For this review we shot on two Sony U3 Class 10 SDXC I SD cards. The thing to be aware of is that, because of the new color science, footage from the original FS5 and the new Mark II wont match out of the box. They are there just to tease. Lastly, itd be awesome for Sony to give this high-end camera a full frame sensor, but now were just dreaming. However the drawback of a small form factor mirrorless camera is that accessories are almost always needed to get the most from your camera. We first noticed the cameras ergonomics, influenced by both its weight and the grip integration. LCD Monitor: 3.5 / 8.8 cm Sensitivity ISO Rating: 3200 (S-Log3 Gamma) Weight Body Only: 29.2 oz / 827.8 g For more information, please see our Sony is very much pushing the FX6 as being a lightweight, compact mobile production camera that can be used by solo operators. That is reserved for the VENICE. and our Even though the FX6 only has two physical audio control dials on the body, it is still capable of recording up to four channels of audio. A native ISO that high is a big bummer. Switches and knobs are not valued highly enough when evaluating many small form factor detachable-lens cameras. Media Card Slots: 1 x MS/SD (dual Memory Stick/SD) I just had the thought that maybe there was a way to record 4 channels via the xlr inputs and possible the hotshoe with sony's fancy receiver, or some combo that I hadn't figured out yet. Sony didnt have a tendency to cannibalize their line up, but I think now because of competition from competitors, they kind of have to. So how does the price compare to some of the competition? On paper, it is hard to find fault with the FX6. Choose from XAVC QFHD for UHD 4K or XAVC HD and AVCHD for HD. What about recording differences? By ISO 6,400, the full picture has noise. FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design Odyssey 7Q. Look, not everyone will agree, and some users will prefer the form factor of a mirrorless hybrid for shooting video, and there is nothing wrong with that. A high-sensitivity 4K Super35 Exmor CMOS Sensor offers all the benefits of a large format sensor, while Sonys unique electronic Variable ND Filter gives unsurpassed flexibility for shooting on the go. The peer to peer support community for media production professionals. Essentially it is an a7S III in a form factor that is much better suited for video applications. Also available is FS5 II which has continuous 120fps HFR recording in Full HD and FS RAW output as standard plus an enhanced creative look. Ill say it again just in case you missed it. Again there is nothing wrong with wanting to capture something in the highest quality possible, but just dont use the future proof argument. Below you can see: At $5999.99 USD it is basically the same amount as a RED KOMODO and around $500 USD more than a Canon C70. *S&Q 1-60fps and 100/120fps available in these modes. It is the cheapest interchangeable-lens cinema camera that shoots 4K. When the FS5 originally came out 5 years ago it didnt really have any competition. In some ways releasing a camera in 2020 that can only record 4K when a lot of your competition is doing 6K and 8K might at first seem like a strange decision. The PXW-FS5 is the PXW-FS7s little brother, offering many of the same options with a smaller, more compact form-factor. 12.9 megapixels (total), 10.2 megapixels (effective) back-illuminated CMOS Exmor R 4K sensor. Everything about this camera is quick, meaning its ready for just about any shooting situation its thrown in to. Sony offers a few better lenses for run-and-gun shooting and many other options for more controlled shooting situations. They dont work in the S35 mode. Sony has officially unveiled the FX6, the third camera in its new Cinema Line. There are several mirrorless cameras that would get you into UHD 4K at less than half the cost of the FS5. We were especially happy with the weight of the camera. This allows you to access menu features and make changes to certain camera parameters. This did not work, Camera Audio Settings: On Channel 1, I have selected Int Mic and on Channel 2 I have selected Int Mic as well. Sony did a lot of things right with the FS5 that, in our opinion, they got wrong with the FS7. FS5 is all about choices. Does anyone know if the Sony Fs5 has a timecode input (even if it is optional like the fs7)? Sony Manuals Camcorder PXW-FS5 Operating manual Sony PXW-FS5 Operating Manual Also See for PXW-FS5: Firmware update (86 pages) , Software update (22 pages) , Operating manual (200 pages) 1 2 3 4 5 6 7 8 9 10 11 12 Table Of Contents 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 Because the camera needs to operate at a high ISO all the time, applying the ND in more than just a step at a time is very nice. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. A big problem with the FS7 was the menu operation. Its amazing how just a few adjustments differentiate this cameras feel so much from the FS7. In addition to the seven standard picture profiles, the FS5 II has two flavors of log: S-log2 and S-log3. Effective Picture Size: (H x V) 3840 x 2160 It has also has two XLR inputs and a hot shoe. S-log2 offers more dynamic range to cameras with 14 stops of dynamic range or fewer. 1.44M dots, Omni-directional stereo electret condenser microphone. Sony almost always seems to get its camera timings just right (at least when it comes to digital cinema cameras). Just how this will affect the use of 15mm rods and positioning a matte box correctly will be interesting to see. Set the frame rate of your camera. Why? When not shooting log, the base ISO is 800. If we were to buy this camera, wed buy it without the kit lens. Shutter Speed: 60i: 1/8 to 1/10,000 Audio Input: 2 x 3-pin XLR FS5's Auto ND put to test by Philip White. The sensor in the FX6 should allow you to comfortably shoot in very low light environments without generating a lot of image noise. We love the electronic ND filter and are impressed by the video quality captured externally. Optically it is a pretty good all-rounder. Whether or not people shooting news, events, documentaries, and corporate productions actually want full-frame is debatable. On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. Sony isnt discontinuing the FS5 M2 anytime soon. The FS5s three start/stop buttons (on the grip, handle, and camcorder body) can independently start and stop recording on different memory cards while recording in SIMUL mode. The Type A card is the slowest of the three standards. An unfortunate aspect of the PXW-FS5 is that the minimum ISO for non S-Log picture profiles is still high at 1,000. Compared to these two cameras in this price range, the FS5 is a greater value and offers very few weaknesses when compared to both the C-100 Mark II and URSA Mini 4.6k. Above you can see how much higher up it is positioned when compared to the FX9. Any time we needed to use the menu it was fast and responsive. The FX6, just like the FX9, features a next-generation sensor chipset that provides much improved AF with face detection and Eye-AF. Yes, you could very well argue that capturing at a higher resolution allows for more flexibility with reframing in post or downsampling to get a better 4K image, and those are good arguments, however, if you are capturing in 4K and still delivering in HD (which a lot of people are) you dont need resolutions above 4K. It made the footage look great and got rid of the little noise we experienced. Looking at just the specs, not much has changed on the FS5 II compared to the FS5. It wasnt till we went back to our FS7 review that we considered it worth mentioning. With the FX6, all you need to do is connect an SDI cable to an Atomos Shogun 7, and then you can record 12-bit Apple ProRes RAW. Lastly, there is a dial for easy change of the aperture or other controls. Let us know in the comments section below. There are also XAVC Long GOP recording options as well if you want to minimize card space. The AF system is also claimed to work really well in low light situations. The PXW-FS5 has a Super 35 Exmor CMOS image sensor the same size as the PXW-FS7. Walking around with the camera, we shot buildings, the water, onlookers and cars in traffic. However, if you have the storage space and the workflow to support shooting in 10-bit, its a very nice luxury to have. The two big changes to the camera outside of unlocking available features are the new color science borrowed from Sonys flagship Venice cinema camera and a mechanical ND filter wheel along with the very useful electronic ND. Now, the big upgrade to the capability of this camera is what it can do when video is captured externally. It is also possible to record 120fps with up to 16-second cache recording. Just look at the F5, F55, FS5, and FS7. But unlike with the FX9, you dont need to use the large, expensive XDCA-FX9 extension kit to do this. Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS It is interesting to see that Sony has decided to give the FX6 timecode In/Out capability through a dedicated BNC connector. However, because it doesnt allow for internal 10-bit 4K video, youll need to purchase a monitor/recorder to get the most out of it. The Kinefinty MAVO LF and MAVO 6K S35 could also potentially join this conversation. That 1/4 to 1/128 stop ND can slide through the stops, offering the perfect ND for any exposure. The Sony FS5 II has so many great qualities, including its price. The enhanced Fast Hybrid AF system has customizable AF transition speeds and sensitivity settings, and also combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. Go beyond what anyone ever expected for a camcorder that weighs just 1.77 lbs. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. With the FX6 you can output the exact same 16-bit linear RAW signal from the camera and then record it in the exact same 12-bit ProRes RAW file without needing to pony up $2,500 USD to do it. Sony claims that this providesconsistently accurate, responsive AF tracking, even with fast-moving subjects while maintaining a shallow depth of field. Higher frame rates of 480fps and 960fps are also possible at specific resolutions. Use the condenser microphone included in the camera kit (side pocket of the bag). Whether or not this is the same sensor that is in the a7S III is fairly likely. Creative tips and inspirational stories for filmmakers. Any of the cameras I have listed will get the job done in the right hands. All of these components have been designed to be modular so you can strip the camera right down for certain applications. In that case, regular ProRes or DNxHR encoding is also available. Robust and modular: FS5 can be easily reconfigured for drone and gimbal operation. I just started working with an FS-5 and am learning my way around the camera. The only concern here that I see is that there is now a lot more competition in the sub $10K category. It is the cheapest interchangeable-lens cinema camera that shoots 4K. The FX6 is being aimed primarily at the same target audience that owned cameras like the FS5 and FS7. Remotely controlling focus, zoom, rec start/stop, and etc. Given the small megapixel count, this camera will only ever be capable of recording in resolutions of 4K. Just a few knobs to loosen and the location of the LCD can be personalized. In fact, the FX6 (body only) weighs just 276g more than the a7S III (body only). Back-illuminated technology places the metal wiring of the photodiodebeneaththe diode instead of above it. GoPro HERO11 Black review: Should you upgrade? You cant have your cake and eat it too. Sigma offers Sony E mount zooms for those who are on a budget but still want high quality. The LCD for the PXW-FS5 is the same as the FS7, however unlike with the PXW-FS7 where it felt lightweight and cheap considering the cost of the camera, the LCD fit the smaller form factor better and felt more in line with the value of the camera. On theCamera Statuswindow, you can change: On theAudio Statusscreen, you can adjust: On theOutput Statusscreen you can adjust: It is good to see Sony do this because lets be honest, no one likes dealing with endless Sony menus to make changes. Get a great quality images with ease of use and all the necessary tools at your fingertips. Reply to this Discussion! See how it performs with stunning low-light shots and slow-motion footage, "You're dealing with 2,000-degree glass a few inches from your hands, so you do have to be careful", Go behind the scenes with Den Lennie and Mick Jones on Sony's first official PXW-FS5 shoot. At the same time as the FS5 II was announced at NAB 2018, Apple announced ProRes RAW, made possible with a few partners including Atomos and the Shogun Inferno. Fujifilm X-H2S review: Fujifilms affordable ProRes 6.2K beast. People are still likely to still complain that theres no internal RAW recording, there are no anamorphic modes and that it cant record in 6K, but as I mentioned earlier, most of the potential buyers of this camera dont require those things. Key Highlights Super 35 Exmor CMOS Sensor 360 Rotating, Detachable SmartGrip Onboard 4K Recording See All $4,249.99 Add To Cart Recommended Products Fujinon Fujinon MK 18-55mm T2.9 Compact Cine Zoom - E-Mount $3,799.00 Add To Cart CameoGear V2 or above firmware required. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. Page 19: Attaching The Microphone However, if you have the storage space and the workflow to support shooting in 10-bit, its a very nice luxury to have. The value for us was just not there with the PZ 18-105mm f/4 G OSS; wed just rather spend the saved money on a better piece of glass. Now, the biggest downside when utilizing a smaller megapixel 4K sensor is that you can only shoot 4K in full-frame. Its just so convenient when shooting run-and-gun video. Unless you step up to a FS7 (but even that needs the XDCA back for TC) or a F5/F55. The FX6, at least in my opinion, pretty much offers everything that most users of a camera like this will need. People who thought that the FX6 would be an FX9 in a smaller form factor for half the cost were dreaming. Just because a new camera comes along, it doesnt make the camera you already have obsolete. A) I wouldn't recommend that TC box. In saying that, I just dont see where Sony could have put two full-sized XLR inputs given the cameras design. Sony FS5 Audio Controls Audio Inputs The camera has a built-in stereo microphone on the handle. We most definitely recommend it if youre in the market and it fits your needs. ND Filter: Variable: 1/4 to 1/128 Presets: Clear, 1/4, 1/26, 1/64 The internal capture was good, too, but video captured externally was exceptional. All of these cameras offer different features and functionality. What is your reaction to this announcement? With the Shogun Inferno and an FS5 II, you can capture up to 10-bit ProRes RAW. B) The FS5 lacks a TC input, so you're stuffed. If you wanted an a7S III with electronic variable ND, SDI, XLR inputs, and a more video-centric form factor, then thats exactly what Sony has given you. When you need dynamic range, shooting in log is the way to get it. The FS5 II is the obvious next step when moving out from behind the photo first camera that can shoot video to a camera designed specifically for video capture. We found it pleasing, though we also liked the color from the original FS5. Sony needed to reinvent the wheel with the FX6 because the competition has become more aggressive and they couldnt just make a dumbed-down version of an FX9. Privacy Policy. FS5 offers 9 pre-Programd Picture Profiles, including ones customized for S-Log2, S-Log3, plus a profile tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. Multi Interface Shoe (MI Shoe) adaptor for URX-P03D (Dual Channel), 128GB, 64GB and 32GB ultra high durability Memory Cards, 17-inch cost-effective, lightweight basic grade Full HD LCD monitor for versatile use, 24-inch cost-effective, lightweight basic grade Full HD LCD monitor for versatile use, Two-channel simultaneous battery charger/AC adaptor for BP-U90/U60/U60T/U30 Lithium-ion battery, Battery charger/AC adaptor for BP-U90/U60/U60T/U30 Lithium-ion battery, "Grab and shoot" Super 35 handheld camcorder with stunning new creative look, 4K 120fps HFR and HDR, Mount lens system, Variable ND Filter, 4K/2K RAW and XAVC recording, Approx.
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